There’s No Why

Wake Up, Thomas

The song posted at the bottom of this entry was born in 2008, in Brooklyn, just before I met my brother for a long work/vacation. Hamburg, Germany! He was on an Academic conference for Computational Linguistics, and I brought my baritone ukulele so I could write a bit. He was out of the apartment most days, so I had time. I was still drinking then, and we went out and caroused the nights away at bars in the vicinity. Mostly gay bars, but some stuff all over the city, depending on which direction the evening took us.

We saw the Rothko exhibit touring Hamburg at the time on that trip. Scotty isn’t much for modern art, but I remembered – Vonnegut was extremely close with quite a few of the guys from the abstract expressionist movement, and Bluebeard is one of the few books I’ve ever managed to get through four or five times. It’s about art, and love, and the forms it can take – romantic or otherwise. Family and chosen family.

About how life expands and contracts – about the trauma of living through WWII – about the bombing of Dresden. Ideas, big and small. Synchronicity. People finding one another, finding joy – even through the process of sifting through body parts in the smoking char of a razed battlefield. Even over years, over decades.

It’s a story of self-actualization.

And so on…

Matty boy, Matty boy, Matty boy

Vonnegut’s Bluebeard references an old legend. A rich man is rumored to be a pirate. He’s upper-strata wealthy. One percent, one might say these days… The type of guy who could live in a castle, but also perhaps might need to go out to sea for long stretches.

Bluebeard falls in love, and a young woman is swept off her feet, dazzled by the legend of the rumored pirate king. Very quickly the two wed, and she moves into his cliffside fortress.

“You may have access to any room in the castle,” her husband tells her on their wedding night, “but you may never enter the chamber attached to the far end of the cellar.”

The woman doesn’t think much about swearing such an oath. What could be so alluring about the cellar, anyway,? She shrugs – men must have their secrets, she reasons, and starts to unpack silks, linens, lace from the oaken dowry her merchant father managed to scrape together.

The story is told in pieces, in circles, like all good epic tales.

Eventually, the wife realizes she doesn’t care where the money comes from. It’s okay if he has foreign business in far off lands, or is a cutthroat pirate, marauder of the high seas. We all have blood on our hands, she thinks to herself one day, when she watches her red-faced maid kill a chicken for dinner.

Still, sometimes she makes the trip to town for fabrics or sewing notions. Invariably, she hears whispers… other rumors muttered under the breath of the townsfolk.

Bluebeard’s first five wives had all died mysteriously, and hushed tales of her husband’s brutality toward his business rivals seeped into her carefree days in town, at the tailor, waiting for the cobbler, enjoying a lunch of kidney pie at the clapboard inn and tavern.

I have to know, she says to herself.

She watches, waits, observes. Finally figures out which key on the big jangling ring opens the antechamber. This happens over years and years. Her husband goes away. Soon after, she insists she needs the butler’s master key ring, then disappears.

Starting in the attic, she moves down toward the basement, mentally memorizing each key, scratching it off the list in her mind. Intermittently, her husband comes back from conquests, mergers. His wealth is growing still more vast, and the jewels, the satins, ivory combs he bestows upon her make her flush with vanity.

Soon enough, though, he”s off on another adventure. She’s left alone with a growing trove of treasures, and a burning need to find out the looming secret tucked away in the cellar, far beneath her quarters. She feels conflicted, sitting inside her warm chamber, fondling the iron circle, counting keys, checking them off one by one in her memory.

She knows her husband’s wrath can be severe, and is terrified he might get angry, divorce her, cast her out. Still, she’s driven by the rumors, the curiosity… Why won’t he talk about his first four wives?

Julia Whitehouse always looks good naked.

Seasons pass. They grow closer. She can’t bear children but it doesn’t seem to bother him. They laugh by fires, playing chess, sipping port long into the night. But, he’s gone for long stretches at a time, and the isolation of the castle overwhelms her thoughts. The staff is strident and formal, and while they can be friendly at times, she’s painfully lonely.

And yes, she’s curious. That’s not a crime. People always want to think it a fatal sin, a woman’s curiosity – she thinks to herself. She smiles when she whispers, hell, even Eve was cast out of the Garden for wanting to make applesauce. People have vicious double standards. Even good, kind people.

Anyway. Finally, she makes it down to the cellar. Her husband arrives home from a trip, showers her with kisses and jewels, gets his key ring back from the stone-faced butler, and they have wine- well into the evening, chatting, playing chess, making love. She falls asleep in his arms, and he starts to snore, which wakes her up, and she realizes his key-ring is on the nightstand.

Finally! She creeps out of bed, grabs the key ring ever so slowly. Silently, like she’s practiced.

She creeps down, alone to the cellar, groping around silent, still. She’s terrified, but she’s making no sounds. She’s memorized the shape and sizes of the keys over the years. Moving with stealth and slow determination, she approaches the door – the one area of the house forbidden to her. Even as she finally finds the right fit, and it slides slowly into the lock, she’s sighs relief. Finally. She’s going to solve this mystery and climb back in bed with her loving husband.

Maybe I don’t even need to know the answer to this question, she says to herself. Maybe there’s no why? Maybe why is a useful question, but there’s never really a concrete answer? Maybe, she thinks, I can love him through anything? Even as she enters the dark chamber, as she smells an old rot.

She lights a torch, skirts the edge of the room, counterclockwise. She sees enough to know. The bodies. The bones. The jewels, dresses, letters – some ripped up, strewn, confetti-style on top of headless torsos.

I can love him through this, she says to herself. I know now – he truly loves me. He truly loved them all. The last thing she sees is a shadow in the door, before she drops the torch and the flame dies forever.

She can barely breathe. Her heart throbs in her throat, choking her thoughts. Her ears pound with thrum.

And so on…

Which is all to say, my brother and I wandered around the Rothko exhibit, because he was very nice about not making the entire ten days about his academic schedule, about going to straight bars, about anything more than a chance to reconnect with one another, far from the small St. Louis suburb where we were both born.

I sang the germ, the genesis, the egg of this song to him, loudly, late at night, after we went out drinking and celebrating his latest academic triumph. I don’t know what it had to do with. He’s a computational linguist, and he didn’t seem to need me to hear him present at the actual conference. He said I would be bored and wouldn’t understand all the acronyms and lingo. I was curious, but I didn’t need all the answers. Brothers don’t need to explain things to each other immediately.

It goes in circles, over years. The conversation stays open.

But in Bluebeard, Vonnegut mentions Rothko, or a character very similar to him. Scotty wasn’t too keen on the exhibit but he wandered around, patient with his little brother. I was insanely curious, and made sure to notice the dates.

Its all just rectangles and squares, Scotty said.

Yeah, but there’s an evolution, I countered back.

Yeah, but isn’t it… the same?

No.

How so?

Well, notice how the shapes get cleaner? Notice how the process, the brush strokes, the scope, size, rich luxury – all of it grows and grows over the years?

Sort of… say more?

It gets richer over the years.

Oh, so you mean he can afford more paint?

Sure, but the art gets richer. Bigger canvasses.

And a bigger studio!

And has richer clients?

Exactly! And then…

And then, what?

By this time Scotty and I were at the end of the visit. He reads the last plaque on the last painting. About Rothko’s suicide.

“Rothko’s depression and seclusion were exacerbated by his drinking. In 1970, Rothko committed suicide by a combination of overdose on barbiturates and a major cut to an artery in his right arm with a razor blade. He left no suicide note.”

In final fit of irony, Rothko died just before the final completion of a massive collection of work he called “the chapel.” He had turned his massive studio into a cathedral to color, texture, light. Inspiration.

And so on…

Sandwiched in between two classics. One Folksy, one Fancy

I kept thinking about Vonnegut and Rothko for years after that. I still think about the two men, sometimes. Drawing parallels late at night, when I’m trying to put my mind to bed.

He was best friends with Vonnegut.

They were in the bombing of Dresden together.

They helped each other get rich and famous, and stayed close, even as their family structures got complicated, even as they both abused alcohol, capitulated to despair, became lapdogs to the terror lurking forever, behind their eyes, when they came home from the war. The helpless disgust they both felt, picking through body parts in the quiet aftermath of the bombing of Dresden.

They did everything they could for one another, but they couldn’t process each other’s trauma. Nobody can do that but you.

They were like brothers to one another. They made it through the challenges, helped one another on the journey of life. Through joy, fear, overwhelming suffering. Births and deaths, cycles and circles, and I’m sure they both drank way too much. It’s well documented by the two men themselves and those who could bear to be around them.

I met Vonnegut once when I was in college. He was touring with William Styron and Joseph Heller. Scotty wasn’t with me when I got to meet him. I shook his hand, and tried not to gush like the 20 year old child/fan boy I absolutely was at the time.

And so on…

Literally daydreaming about parrots constantly. Scott is pinching me and can’t get me to stop thinking about these two lovely birds.

This song used to be called Wait. It was about being ready for a big career break and still having to wait your turn.

Eventually, it evolved into a musical theater song I was writing for Thin Skin Jonny. I wanted to make the boys who started my band with me famous. I was writing a musical for all the people who treated me like a brother over the years.

The end of act one was “Wake Up, Thomas.”

This is the circumstance – Micky sings to his lover who is dying of AIDS. He sings about a lost generation, about assisted suicide, about a quiet pain the Boomers and Gen X homosexuals endured as our chosen brothers died all around us.

The song may evolve yet again. I haven’t decided yet.

Please enjoy!

And so on…

Getting better at technology as we go! Whoopsie poops!

“The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationships, then you miss the point.” – Mark Rothko

Cloaked Figures and Crooked Smiles

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Lillian has a bruise on her face when she finally shows up. She catches me on the sidewalk, maybe fifteen feet away, staring at an Instagram notification. Sliding open the tall, wrought iron fence surrounding her housing complex, she makes her way toward my car. I glance up. The bruise is the first thing I notice. Secondly, she’s about 15 pounds lighter than the last time I saw her. She smiles from the side of her face. Crooked.

This is Los Angeles, so from a showbiz lense I’d say she’s starting to look viable now, thinner, maybe even fringing on looking really good, but my social work brain says wait-a-minute this probably means she’s back on meth. I hope she’s not back on meth.

Lillian has only managed small stretches of sobriety so far. A month here. Six weeks there. I hope she’s not high. She’s incoherent when she’s high. I also hope she’s not hung over. She’s likely to flare up nasty when she’s jonesing. She stops and makes eye contact just outside the car, peering in. Smiling askew, she shoves her hands into her front pockets. Her jeans are so big on her, now. She seems sheepish, standing outside the car. Lost.

I was thinking of the dream I had this morning. Vivid and semi-conscious, I kept hitting snooze to stay in the dream of Big Sur. Of a vibrant community carved into the side of God’s Cliffs, clapboard houses, a thriving town square. There was a mass shooter in my dream, a cloaked figure with a gun who mowed down the crowd. White picket gazebos tainted with wide swaths of blood.

Lillian gets into the car. I compliment her. She smiles again when I ask if she’s lost weight, when I tell her she looks good. She’s glassy in the eyes, but it’s clear she’s put some effort in today. Her hair is wet. She showered. Okay, I think to myself -we can probably work with this.

I ask about her ID. We’re going to try to enter her into a coordinated database for homeless and at-risk youth. She wants to be able to provide for herself and her baby, when she gets her baby back. There are social service and private organizations that can help. No, she says, she didn’t bring her ID. Should she go get it? Yes, I say. You should always bring your ID and you should have your social memorized. She informs me that she has it memorized this time, thank you very much. She’s proud. She’s the same type of proud my other clients get sometimes when they ace a test, or get a small scholarship for school, or land a job – except in this case her source of pride is the simple fact she has memorized nine numbers. She is 18, and she has a two year old daughter who has already been taken away from her. I wouldn’t put her literacy past the 8th grade level. Go get your ID, I tell her, I’ll wait.

She goes back into her complex. The yard is piebald, barren. Generations of barefoot children have trodden down smooth dirt pathways, linking the units. A quick glance at the ground reveals which families are friendly with which other families, and who doesn’t seem to get along with anyone at all. Some of the lesser worn pathways have weeds growing up, in places. Keep up those connections, I say, admonishing no one. I mouth the words in the afternoon sun.

My phone buzzes. It’s a news update. The BBC News wants to tell me what Trump has in common with Abe Lincoln and Ferris Bueller. Fuck you, iPhone news client, I say to my phone. The dream creeps in, again, around the edges of my morning.

I’m there in the town square, relaxing on a park bench. Three people play frisbee, laughing, semi-joyous. They are smiling. Suddenly one of them explodes like a watermelon dropped off the side of a produce truck. The other two are horrified, but it’s only seconds before, shocked, they twist and fall. Blood splashes from them in strange angles. It seems to come from nowhere. I’m sure there were gunshots in the dream, but in my memory it’s just quiet. They buckle, and drop. They writhe, broken, pitiful.

Crowds of people being mown down, in bright preppy clothing, against a backdrop of brightly colored cliffside mainstreet businesses. A little girl and her younger brother, staring in horror at blood spattered ice cream cones dripping down their wrists. People twitching, jerking out bizarre dance moves on hot asphalt, gaily dressed in bright gingham shirts. Upbeat, inane music playing reassuringly in the background. A dazzling blue sky; the sun’s eye, indifferent to the bloodbath.

Lillian returns and we set off to the address. Only five miles away, but it’s Friday afternoon in Los Angeles, so this could easily take 45 minutes. I start asking Lillian what’s been going on with her. I didn’t get my hours in with her last month, and frankly, I’m kind of worried. I tell her as much. When she’s not hungover, it’s pretty easy to be frank and open with Lillian. She hasn’t learned the same things most people her age have learned. She’s not great with math or reading. It’s frequent that I can only understand 70% of what she’s saying when she texts me. But there’s a cleverness there. She’s not dumb, just unlearnt, I suppose. In any case, I try to treat my clients as being more clever than they actually are. Sometimes it tricks them into actually being more clever, or making better decisions.

It’s a trick I also sometimes play on myself, when I can get away with it.

We chat about her mom, about her daughter, Lizzie, who Lillian badly wants custody of. They took her away when she was staying in a transitional housing facility for young, single mothers. Lillian had been getting friendly with some of the guys from the streets. She’d disappeared for long stretches of time to do meth with guys in rented hotel rooms. This was all before she turned 18. So illegal.

After they took her baby, they threw her out of St. Theresa’s, and she went back to live with her mother and her aunt. She’s been trying for more than a year to get her baby back. She keeps failing to prove she’s enrolled in school though, keeps failing to prove she can attend drug counselling classes on a regular basis (or, indeed, pass drug tests), keeps failing to show up with any proof of gainful employment.

Lillian opens up to me now. She wants to apply for transitional housing. She can raise Lizzie at her mother’s place, but she’d rather have her own space to live with her daughter. I tell her I was glad to hear from her, finally. She’s likely to have a new cell phone every month, so I’ve become used to getting texts from strange numbers. She never announces herself, either, when she texts from a new number. She’ll say something like, “Hey, are we gonna do the thing you were talking about last time?”

And I’ll say, “Is this Lillian?”

And she’ll say, yes, and act like it was obvious it was her. It’s infuriating.

I broach the subject of custody. I’m happy to hear she’s getting her child back, I tell her. She’s been texting about that, recently, as if it’s a done deal. I wonder – is it possible a judge has adjudicated custody to her? I ask about the details. They’re going to give her back, she says matter of factly. Because, they’re molesting her – and I already told them and made a report, but the social worker lady doesn’t believe me, but it doesn’t matter because I reported it, and they can’t keep my daughter if they’re molesting her.

No, I say. The people who are keeping your daughter can’t keep her if they’re molesting her, and in fact, they’ll go to jail if it can be proven. What made you think they’re molesting her, I ask?

I notice now, at a stoplight, she’s hungover. Or, maybe still high? Her eyes are red and watery, and she’s not quite making coherent sense. She also didn’t react, earlier in the conversation when I tried to corner her and ask her about missing our appointments last month. About going incommunicado. And this new, slim, model figure, the black eye. The rushed, emotional way she’s describing things, without putting context or chronological order into any of the details. Yeah, she’s not entirely sober, if at all. She sees me noticing, and doesn’t like it. I ask again. What made you think they’re molesting your daughter?

There was all this shit in the back of her diaper. Baby shit, she clarifies, when I ask. Poop. I make a face as if to say, come on now, you said molestation – but now you’re describing evidence of neglect.

Plus, she says, they grabbed her by the neck when she was leaving with her baby. Who, you or the baby? Me. Well, that’s what happens when you try to take a baby from protective custody on a supervised visit. Who’s side are you on, she asks? Plus a mother has her intuition, and that’s just as good as any evidence.

I finally piece a story together. She’s asked the two year old if people have been touching her inappropriately, the two year old has nodded yes, and even said yes, once. But only after repeated questioning and coaching. She hasn’t supplied specific details that add up to molestation, though. She will only answer yes when asked if they touched here in certain places. When the social worker came to ask Lillian and Lizzie about the supposed molestation, Lillian was trying to get the baby to tell her, over and over. Finally the baby recited what her mother had been telling her to say. I nod. I fail to mention my doubts about this. She doesn’t have any real evidence beyond a seemingly coached accusation, a dirty diaper and intuition.

But even further than this, even if she had hard evidence the child was being interfered with – that doesn’t mean Lillian is about to get her back. One thing is not relative to another. A foster parent acting abusive or neglectful doesn’t erase the judge’s knowledge that she once disappeared from St. Theresa’s for five full days on a meth binge, leaving the staff of the facility to care for Lizzie. Or that she hasn’t been able to produce three months worth of consecutive negative drug tests.

(Or that she shows up to appointments with social service and county workers fifteen pounds lighter, with a black eye).

I don’t say any of these things, but I want to. I want to point out – the best case scenario is that she knows her child hasn’t been molested, and she’s trying to make some story up that gives her emotional leverage in this narrative. She may not be academic, but she’s good at emotional manipulation. The other, grosser possibility is that she is paranoid, but clinging to the idea that her child actually has been molested, for the idea of some moral high ground. She either knows she’s making it up, or wants something horrible to be true, for the sake of her narrative.

Lillian, I want to say to her. Being right doesn’t produce clean drug tests. But I don’t say anything. We drive in silence. Lillian puts something on the radio.

We pull into the parking lot of the Covenant House about five minutes later. Lillian starts to get agitated. I told you, she says, I don’t want to go into a homeless shelter. I want transitional housing where me and Lizzie could live together. I know that, I say, but this facility does more than just homeless sheltering. It’s also an entry portal. They have a database which records your name and age and set of circumstances, so that public and private organizations can share information. It will go out to shelters, but also transitional living organizations, and women’s homes.

She’s going into one of her spirals now. She doesn’t like entering databases. Her (paranoid, abusive) boyfriend told her it’s the illuminati controlling everything. He thinks they track poor people. Those illuminati people, they control the things like homeless shelters. They keep people sick. Doped up. Stupid, she says.  I beg her, please, let’s just go up to the front counter and ask for basic information. I figure I can get a seasoned social worker to help me persuade Lillian to just sit down and fill out a profile on the database. She finally agrees, we can go inside and ask the receptionist questions.

We head in. The receptionist explains the program. Lillian would do best to enter the database, alerting all of the relevant organizations in the vicinity to her need. Lillian seems cowed, for a while. She agrees, finally, yes, maybe the database is a good idea, and the social services system isn’t run by the illuminati. I make eye contact with the receptionist and joke that DCFS couldn’t possibly be run by the illuminati – they’d function so much more efficiently! We laugh, and the receptionist affirms my sentiment. Just one thing though, she says, the Youth Entry Portal is in a building across the street, and they’re closed for lunch from 12pm to 1pm. We’ll have to kill a half an hour waiting for them to get back from lunch.

Back in the parking lot Lillian is getting agitated again. No more crooked smiles. I can tell she’s really jonesing. She’s getting sweaty, and it’s chilly out today. She scuffs the toes of her shoes on the parking lot, and says, I don’t want to be here.

I don’t want to be here either, I say, trying to empathize. But I talked to quite a few social workers and explained your situation, and since you’re over 18, with a closed DCFS case, this is the best protocol to follow for getting into a transitional housing program. Neither of us want to be here, I say, but let’s just wait the twenty minutes and enter that database.

No, she says, but this time she’s more forceful. I don’t want to do this. I don’t feel comfortable here. Take me home. She knows I can’t force her to do anything, and she’s setting in her heels. I try a few more angles of reason with her, about waiting just a few minutes and trying, for the sake of her kid, to get into this database for transitional housing. They have housing for single parents under 22, I say. But she doesn’t care, she’s made up her mind.

And I don’t care, either.

I mean. I do – it’s not the productive outcome I’d hoped for when I picked her up today, but I got billable hours, so I won’t walk away not having done my job. I’m defeated, and this sucks – today won’t end up any closer to a happy ending for Lillian, but maybe the timing is wrong for this anyhow? If she gets into one of these housing programs, they’ll require her to stay sober, to keep a job, to be in school. Let’s be honest, I say to myself, she’d bounce out of a transitional housing program just as fast as she could fill out the papers.

There is a quick flash, a memory from this morning’s dream. The picturesque cliffside community, the stores and flowerbeds, the people. The bloodbath.

Okay, get in the car, I say. I’ll drive you home then. Inside, we are icy quiet. Try again next time, I say softly-but-audibly, as we pull out of the parking lot. We have another 45 minute drive back to her place.

After about ten minutes of silence I start talking.

I hate seeing you show up with a black eye, Lillian. I hate seeing you this thin. I mean, don’t get me wrong, my God, you look fantastic right now, but I know you and this is a really rapid weight loss in a short amount of time and I have to worry that it’s meth. And meth, combined with a black eye means you’ve been seeing Victor. I’m worried about you.

You’re right, she says. I saw Victor again. I’m sorry. I know I promised I would stay away from him, but he had my stuff, and I only saw him because I wanted my stuff back and then he hit me in the face and took my EBT card.

I sigh. The last time I saw her we waited in the General Relief office for four hours for the first replacement EBT card, which was only missing in the first place because Victor stole it. Please, just stop seeing that guy? I don’t like this. You have a black eye. I’m a mandated reporter. I have to report this.

No, you don’t, Lillian says. I already called the cops this time when he hit me.

Good, I say, that’s actually the best news I’ve heard all day, hearing that you finally filed a police report. Suddenly, shaking, nearly trembling in my passenger seat, Lillian is willing to throw me another crooked smile. I laugh, and I tell her I’ve known a few people named Victor in my time. They always have to win. She thinks this is funny. Pfft, she says, fuck them!

Yes, I agree. Fuck them.

There’s something in her eyes. A twinkle of conspiracy, perhaps. It makes me feel protective. She has natural, innocent curiosity. But, not unspoiled innocence. She has a few secrets, and can probably keep a few, too. I wish I could wave a magic wand and make her cravings go away, or, more useful – I wish I could fill that empty void in her heart she thinks meth and booze is going to fix.

But, the longer I do this job, the less I wish things, and the more I focus on meeting the client where they are emotionally, that day – preferably in a neighborhood adjacent to reality, if we can make it there.

By the time we get back to her place a tender truce springs up between us. It’s not hard to forgive each other. Even if we’re not firing on all cylinders, we still almost always try to show up for one another.

We talk about her getting a job. Maybe at some place like Walmart, or Target. I think it’s a great idea. She seems buoyed by even this minor level of approval. I tell her again she looks great, and that I hope she’s eating, and that next time we’ll work on finding employment, if that’s what she’d like to focus on.

Lillian signs paperwork for our visit and goes inside her apartment complex. I pull into traffic. It isn’t quite late afternoon yet, but Los Angeles has already jammed itself up nicely on Western Avenue, down in South Central, all the way up through KTown into Hollywood, and further into the Valley. All jammed up and honking. Stuck like cold, thick molasses.

I stop at a red light and stare into the bulb. I think how powerless Lillian must feel, to be desperate enough to make up a story so horrible. Or, what an awful thing it must be to hope for – that someone is interfering with your child? I think of the dream this morning, of the people in that town square. How different that town was from Los Angeles.

I rev the engine. I go back to the dream. The cloaked figure, loading hundreds of bullets into an automatic rifle. Everyone clean and happy. Nobody shows up itchy, with a black eye, in the cliffside paradise. I see him. I can see what he’s about to do. I open my mouth. He puts the rifle on his shoulder. I adjust the rearview mirror. The people are walking dogs, returning library books. It’s a bluebird day.  He flips the safety open. The light turns green. I open my mouth, but I’m unable to speak. Unable to warn these people, I ease gas into the throttle.

He opens up into the unsuspecting crowd.

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MonDATE: Bisexuals and the Right to Privacy, Part Two

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Him: You’re being extremely unfair!

Me: I’m sorry about that. Did you see August Osage County? What did you think?

Him: Seriously, are you Bisexual?

Me: I keep thinking if I hadn’t seen the Broadway play, I might have really liked the movie. I liked it quite a bit, actually, but I might have been blown away if I hadn’t watched the Broadway show twice.

Him: Don’t change the subject! Stop it.

Me: Julia Roberts really blew the doors off the hinges. It’s worth seeing just for that.

Him: I didn’t see it yet, okay?

Me: Okay. No spoilers, then.

Him: I’m asking you a question, and you’re avoiding it.

Me: I don’t see why I owe you the information. It’s just information, after all.

Him: I read your site for years. I’m extremely curious. What happened? It seems like you’ve made a 180, and I don’t know what to make of all of it. It seems…

Me: Don’t trail off. How does it seem?

Him: Hypocritical. It seems hypocritical. Sorry.

(There is a long pause. I sit on a bench at the bus stop.)

Him: You waiting for a bus now?

Me: Only if it’s an express bus to Canada.

Him: What does that mean?

Me: I dunno. It’s about half a joke. I’ll let you know when/if there’s a punch line.

Him: Hey. I’m sorry I called you a hypocrite – just how I see it.

Me: Ha. Then you’re not really sorry! You’re frustrated about quite a few things, and I’d suspect the root of it has very, very little to do with me.

Him: You can’t just… You can’t write about the gay community for years, and talk openly about being a poly-amorous homosexual – you can’t run some sort of online ‘brotherhood of man’ pie cult for the gays, and then just get married to a woman. Just, poof, you’re married and normal again. Just like that.

Me: Can’t I? Why can’t I? Why can’t I marry whomever I want? Isn’t that the underlined point behind the Marriage Equality movement?

Him: Don’t you feel you owe people like me an explanation?

Me: Why?

Him: Because I am one of your readers. Because I’m your audience.

(There is a long pause.)

Me: Well… thank you. I’m flattered you’re reading, that you’re still reading, and that you took the time to contact me. All of these things are incredibly flattering, and part of me agrees with you. A huge part of me thinks I owe it to you to tell you exactly how my sex life is structured, what it means to be LGBTQ in a traditional marriage structure, and send you home with a slice of pie and a warm feeling of hope for tomorrow.

Him: That’s what I’d like, yes.

Me: Then again, I’ve read quite a few books on writing, and while authors agree it is important to have an audience, they seem to also agree that catering things to your audience leads to atrophy in a major way. Bill Cosby said something like, I don’t know what the formula for success is, but I know the formula for failure is trying to please everyone.

Him: Teach me, oh wise one.

Me: I’m not getting paid to teach you, or, for that matter, to tell you how to live your life, or to tell you how I live mine.

Him: Okay, I’ll admit – it’s none of my business.

Me: Thank you.

Him: But I’m CURIOUS.

Me: Yes. You’re curious. That’s exactly right. You expect me to tell you intimate details of my personal life to you, the way I would to my therapist, because you read my site for a while and you feel somehow entitled to missing information. But you’re just an audience member. You’re just tuning in. You don’t know me and you have no real right to my inner physical, emotional, or intellectual life, beyond what I publish on my site, which by the way you read for free – so I owe you even less.

Him: People are going to want to know! You wrote about your sex life for years!

Me: No. Incorrect. I did not.

Him: Yes you DID. You’re being a hypocrite!

Me: Actually, I wrote about awkward dates, urban alienation, and my disappointment in a community full of brilliant, motivated, socially broken people. I almost never mentioned who I was having sex with.

Him: Come off it. You were sleeping with all those boys who made pie with you.

Me: Incorrect. Those were models, or friends, or people who contacted me online who wanted to help. It was very rare I slept with the people on my site.

Him: What?

Me: The “Awkward Dates” happen with people I don’t sleep with. That is the whole point: Here’s how NOT to sleep with me. The irony is, it’s pretty easy to sleep with me, if you’re cute and sweet, but most gay people have no interest in being kind, gentle, or generous of spirit – at least the ones who live in Williamsburg, Brooklyn don’t. They think they don’t have to, and in some sense, they’re correct. Someone will stomach their painfully underdeveloped, spoiled, sour personalities. But that someone isn’t me…

Him: Still seems hypocritical to me.

Me: You’ve now called me a hypocrite three times.

Him: So?

Me: So take a deep breath.

Him: Why?

Me: I’m about to tell you what I think about you.

(Pause. He looks concerned. I take a deep breath and count to ten.)

TO BE CONTINUED…

 

Broken Bird: Part Two

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Me: I made eggs, are you hungry?

Him: Okay, I guess. Wait, no. I’m fine. I’m getting fat.

Me: You’re never going to be fat.

Him: Where’s Karl?

Me: He left a few hours ago. He had to get to work.

Him: Work…  I know I’ve heard that word before. Work….

Me: I know, I’ve read about it, too. Who can say for sure, what this ‘work’ is? I understand everyone is always looking for it, and they dislike it when they have it?

Him: No, I think you’re thinking of ‘love.’

Me: I stand corrected.

(pause)

Me: So, I need to say this: My feelings were hurt last night.

Him: What? Why? Oh…

Me: Right. Karl and I were on our second date.

Him: I didn’t know that!

Me: I think I mentioned it, yesterday. I was excited about this one.

(pause)

Him: How did it go?

Me: Well, I dunno. It was going well. I guess I shouldn’t have…

Him: You know, I really like him!

Me: Yes. You two really seem to like one another.

(pause)

Him: Let’s just have this out. What are you upset about?

Me: Well, I kind of thought that Karl and I were on a date. I wanted you to meet us at Sugarland, because you’re living with me, and I consider you a good friend, by now.

Him: I am your friend.

Me: Right, and I feel like saying this, then – I don’t think it was very kind, or considerate of you to sleep with him in my bed, on our second date.

Him: I don’t think he thinks you two were on a date.

Me: At this point, no, neither do I. I don’t date people that fuck my friends during the first phase of the relationship. You have to wait a year or two, before you start fucking my roommate.

Him: It could have been the three of us…

Me: Yes. I know that. I felt that energy, but it’s hard for me to participate in that energy when I’m managing extreme hurt feelings.

Him: I’m sorry. I didn’t know.

Me: Right, well, I mentioned it was a date.

Him: I didn’t hear you.

(pause)

Him: You talk a lot.

(pause)

Me: I also cook and clean a lot.

(pause)

Him: I have to leave. I’ve got things to do today.

Me: I want you to know one more thing.

Him: Jesus, what now, grandpa?

Me: Just that I forgive you.

(pause)

Me: I forgive you both, and I am letting the anger for this go. My friendship with you is more important than a second date, and Karl is handsome, but not really my type.

Him: Seriously?

Me: I think so. I processed it, here, in the kitchen last night while you guys were soiling my sheets.

Him: I felt guilty when I saw you asleep on the couch.

Me: Well, you should check my blog. I blogged about it, last night, while you two were having sex.

Him: WHAT?

Me: Sorry. I had to get it out. I had to let it go. That’s part of what PIEFOLK is – it’s a place for me to put things I find awkward, sad, frustrating, or when people I care about do things I don’t quite understand.

Him: Michael, I’m sorry. Just tell me next time, or don’t invite me. You know what I’m like –

Me: When you’re drinking. Yes. And it’s hard to ask an actor, much less a drunk actor, to be anything less than the marvelous attention hound he was born to be. However, I’m a comic and a writer, and I want you to know – fair’s fair – this IS becoming material.

Him: Thanks for asking me. Looks like it already has become material.

Me: Uh, if you want to get on a high horse start paying rent.

(pause)

Him: I love you, big brother.

Me: Then give me a hug. I forgive you. I’m sorry.

Him: Me too.

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Tuesdays With Woody, Episode 2

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Hey folks. Here’s another episode of Tuesdays With Woody. In this episode, Shaun ‘raw dogs’ a stripper from Detroit. Woody and Michael tease mercilessly. Have a look!

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MYQ Kaplan’s HANG OUT WITH ME

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tri vo studio

Honorary gay and incourigible straight lothario MYQ Kaplan had me and Ben Lerman over to the Hang Out With Me Playpen to talk about our sex lives, what it means to be ‘monogamish’ and how to solve racism in a room full of white people. It was a blast and you can laugh about it here:

http://www.keithandthegirl.com/Show-Detail/2782/Gays-Upon-My-Works.aspx

Thanks for the funzos boys. It was a hoot.

Oh, and MYQ, wear underwear next time? You kept flopping out of your silk smoking robe.

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Stop. Be still.

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Him: Are you okay?

Me: No. Obviously.

Him: Stop. You look tired. Stop. Don’t. Don’t hug me. You always try to hug me.

Me: I need affection. Please hug me.

Him: Stop. Fine. Yes. Here. Hug me.

Me: Thanks. Let’s lie down?

Him: No, I’m not here for that. I’m here for you.

Me: I’m fine.

Him: You’re not.

Me: I am. I’m fine.

Him: No, Michael. You’re not. You’re not fine at all. Some very traumatic things happened. You’re trying to act like you’re fine, but you’re bouncing off the walls. Be still.

Me: I can’t. I don’t. I don’t have time for being still, not for one second. I have so much to do.

Him: Why am I here? Why did I come over here? Do you know?

Me: Kiss me.

Him: Stop. No. Stop.

Me: I need affection. Hug me again.

Him: Okay fine. What happened?

Me: Lots of stuff.

Him: How was LA?

Me: It wasn’t as nice as I’d hoped it would be.

Him: Are people mean?

Me: Uh. Some of them are, yes. Extremely.

Him: You mean at the Network?

Me: No. I mean other comedy types that I thought were my friends.

Him: How was the Network?

Me: They were nice enough.  I had no idea what I was auditioning for. I had to stay in my hotel room for three days straight while they grilled me about who I was. I was isolated. I quit my job, lost Alex over it, and I got so exhausted that I might have showed too much ‘realness’ in the final interview.

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Him: Wait, you lost Alex over it?

Me: He was terrified of being alone for six weeks. Maybe he just didn’t really love me to begin with, though? Soon as he said yes to moving in with me, the smiles stopped.

Him: He stopped smiling at you?

Me: Yes. He would look for reasons to provoke me. He wouldn’t smile. He wouldn’t eat food I made, even when I knew he’d skipped dinner. I got a few promotions, and career advancements. He wouldn’t show up to celebrate them.

Him: Wow.

Me: He left me right when I needed him most. He left during the hardest callback process of my life. Whywouldyoudothattosomeone?

Him: Michael. Slow down. Things are fine now, right?

Me: Sure?

(long pause)

Me: I hate this so much.

Him: Stop.

Me: Lie down next to me.

Him: Stop.

Me: That’s why you’re here.

Him: Stop. Stop pacing around. You’re crawling out of your skin.

Me: Why did he do this?  I hate this the most. I told him I didn’t want a relationship but he kept at it. He kept coming over.

Him: You need to be still. People play games. They don’t even know they’re doing it.

Me: Somewhere along the line he stopped smiling at me. Started making me beg for affection. Cruel. I had to work so hard for every morsel.

Him: That’s how us Asian boys act when we don’t get monogamy.

Me: I offered him monogamy.

(pause)

Him: You offered him monogamy?

(pause)

Him: What did he say?

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Me: He told me it was too late – that I should have wanted monogamy the whole time. That I should have known when I met him. I told him the next time he tries to change the mind of a grown man, expect it to take much longer than 8 months.

Him: Hm…  That doesn’t sound right. That sounds like an excuse. Maybe he’s just a kid? Maybe he doesn’t know what he wants?

Me: People are cat-fishing me now, online. They’re making up fake profiles in order to say cruel things. Why is everyone so awful?

Him: Stop. Be still. Okay. Lie down. I’ll lie down with you.

Me: Kiss me?

Him: No. Just lie here with me. I want you to be still. It’s okay to cry, but don’t move. Just be still. I’m going to touch your face a little.

(he touches my face. tears slip out of me. we are quiet for a long time.)

Me: (whispered) He tricked me. I don’t trust anybody now. He took that away.

Him: Stop. You trust too much anyhow.

Me: No. Not anymore.

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(long silence. i am still. my diaphragm shakes.)

Him: Stop.

(long silence. tremors build inside me.)

Him: Still. Be still.

(long silence. i control the tremors)

Him: Good. Still.

(i turn away. i am still. i breathe, but not too deep. he starts to snooze. he has no idea i’m still crying)

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-3

Jerk-aholic

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Mallory Schlossberg is a writer and performer in New York City. She lives in Brooklyn, and blogs at www.schlossed-by-mallory.tumblr.com. You can follow her on twitter @ malloryschloss.

Me: I have to go after brunch. I have a lot to do. I have to work on my proposal, and I have to read a bunch of books for it.

Him: That makes sense. To compare it to?

Me: Yeah. I mean, but I like the book I’m reading now.

Him: Yeah.

Me: I’ve never had brunch before.

Him: What?

Me: I usually work on the weekends. And I never had somebody to have brunch with before.

Him: Well, baby, you’re havin’ brunch today!

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Him: So…what do you like to do in the summers?

Me: Um. . . I don’t know. I mean, last summer I worked on my show a lot. I did it twice.

Him: You don’t like, go to the beach?

Me: Well, I don’t know. The summer to me is just an extension of the rest of the year, except I’m wearing shorts. And I never really had anyone to go with. When I have free time, I take on projects, classes. I work on my show.

Him: I love going to the beach. I went to Fort Tilden last year.

Me: That’s the nude beach.

Him:  It is?

Me: Oh! That’s Vampire Weekend.

Him: It is?

Me: Yeah. I was supposed to see them in concert a few years ago, but I got the flu.

Him: They describe themselves as Upper West Side Soweto.

Me: Huh?

Him: Do you know what that is?

Me: No.

Him: It’s South African music. Upper West Side South African. That’s disgusting.

Me: Um, well, I like their music.

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 Him: So, there’s something that’s been bothering me.

Me: Yeah?

Him: All you ever talk about is work.

Me: What do you mean?

Him: Like. What your’e working on. Your proposal. Your show. Improv.  It’s like, all you do.

Me:  I mean… I don’t get paid to do what I love. So it doesn’t feel like work. And it’s what I love. It’s what I like to talk about.

Him: But I mean, earlier. You told me you were reading a book for your proposal. Why don’t you instead tell me what the book is about.

Me: Okay. It’s called “My Boyfriend Wrote A Book About Me.” It’s about this woman whose boyfriend wrote a book about her. And then she tells stories about her life post-break up. It’s funny.

Him: See! That’s a conversation! I’m reading a book (I tune out.)

Me: Oh. Wow. Really?

Him: Yeah. I’m enjoying it.

Me: I don’t always talk about work. I work a lot. But it’s not work. I’m bothered that you said that.

Him: Well, I did. And I was really worried about this, but then I saw you and I knew everything was going to be fine.

Me: I love what I do.

Him: And that’s great – but listen. I have passions, too. I moonlight as a video game designer.

Me:  I’m not here in New York to teach SAT prep. And you have to realize you met me at a weird time because of the holidays. It’s going to be different soon – I won’t be around as much. I’m a really busy person.

Him: But you do work a lot. And I don’t want it to be – you come home, I come home, we have dinner, and then we have sex. I mean, sex is great, but I’m not going to remember sex. I am going to remember a picnic. I like picnics. Olives, bread. I want to make memories. Go to the park. Go to that movie theater in Dumbo and get a six pack.

Me: I need to get a bike. Want to help me get one?

Him: YES! See, I love that you asked me that.

Me: I also need to get my library card. Wanna come with me?

Him: YES! See, I like this. Doing stuff together.

Me: I’ve never really had someone to do these things with. So I guess I don’t know what I like to do. Besides comedy and art stuff. I’m just not used to this sort of…

Him: Mallory. You’re writing a book about dating OkCupid boys. Now your’e dating a man. Things are different.

Me: I want to go dancing.

Him: Let’s go. Let me get your coat.

Me: (I see someone I know) Hi! How are you! (back to him) That’s someone I know from improv.

Him: Oh. Okay… Cool.

Me: I still don’t like what you said before.

Him: What? I was worried about something, and we talked about it, and I feel so much better about it now. Let’s go. (he takes out his iPhone) I want to take a picture of us and send it to my mom. (Click) Ah, came out too dark.

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photos, tri vo

guest edited by samuel lindeman.

-4

 

L.A. Story #3: Where’s Your Voice?

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Him: It’s steep. I told you not to wear Converse, Michael.

Me: Eh. I’ve hiked the Adirondack trail in Converse. I bet I’ll be fine.

Him: I forgot to tell you how steep it is. Where’s my car?

Me: I don’t know?

Him: I took a photo of the street signs. It’s okay. I know how to find it. Don’t worry so much?

Me: I wasn’t – Fischer –

Him: I’ve been here for 6 weeks, Michael I know how to get around.

Me: Okay.

Him: Don’t walk over there! It’s really steep! What if someone came up and pushed you?

Me: I’m four feet away from the edge. Also, if someone pushed me that person would be a murderous sociopath. I prefer the company of narcissistic sociopaths, personally.

Him: This is way deeper than it needs to be. Look at the canyon!

Me: I’m looking. It’s beautiful.

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Him: Look around – do you see any recognizable faces?

Me: Yeah. Everyone sort of looks like everyone else. Part of that is conformity, probably. Part of that is surgery, probably.

Him: Do you know that to be true?

Me: I’ve been in town four days, three of which I was sequestered by Network.

Him: So you’re just making blind assumptions.

Me: I’m just making jokes.

Him: Well, people could be listening.

Me: Good. I think my jokes are funny, sometimes.  Maybe they’ll give me a dollar? You’ve only been here three weeks, by the way.

Him: Doesn’t mean I’m not careful what I say and when.

Me: Let’s yell really loud into the canyon and listen for the echo.

Him: OMG no! Is that Aubrey Plaza?

Me: No. Aubrey is prettier than her. Also, she’s gabbing away. Aubrey listens and judges.

Him: How do you know?

Me: I might’ve been on an improv team with her, once upon a time.

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Him: REALLY?

Me: Who can remember? Ancient history.

Him: Introduce me to her!

Me: She’s not here! But that’s Gus Van Sant.

Him: Let’s get a photo with him.

Me: I’m joking. That’s not him. He lives in Williamsburg. That’s a Pilates instructor that takes screenwriting classes on Thursday afternoons.

Him: Michael, people could be listening to you!

Me: They should be listening to you. Are you singing?

Him: I don’t sing anymore. I want to write television and that’s the only thing I care about.

Me: You have a lovely voice. Frank and I had our eye on you. You probably would have made a team.

Him: You’re not my teacher anymore, Michael. This is Los Angeles.

Me: Yes.

(pause)

Me: It certainly is, Fischer.

(pause)

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Me: Even at Peg’s apartment you wouldn’t sing. Even just in front of the dogs.

Him: I don’t know about my voice. It has problems.

Me: It’s a legit musical theater voice. You have a great voice. I want to hear you sing my songs.

Him: Could we make money selling songs?

Me: We certainly could.

Him: How’s that done?

Me: I imagine you go over to Gaga’s house and sing her a song you wrote on your uke.

Him: That’s too twee. Also she writes her own.

Me: That’s true. Gaga has actual writing talent. But quite a few pop stars don’t.

Him: People could be listening.

Me: Fischer.

Him: What?

Me: You’re my friend.

Him: So?

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Me: So, I know this is L.A. but let’s just pretend this is New York, for a sec? Let’s just pretend, Fischer, that it’s totally okay to just talk without getting incredibly paranoid Stephen Spielberg might be listening to us. He has bigger problems than two homos talking philosophy. Trust me.

Him: It’s not the type of conversation you have on Runyon Canyon.  I think that’s Omarosa.

Me: It’s not. It’s Michelle Obama.

Him: Really?!

Me: Who cares?!

(pause)

Me: I think it’s Serena. No – Beyonce. No – Miley. It’s Miley.

Him: Don’t walk so close to the edge!

Me: Why did you stop singing? Where’s your lovely voice, Fischer?

Him: I don’t. I don’t want to perform.

Me: If you want to sell a song, you gotta sing a song.

Him: I just want to write.

Me: All the best comedy writers I know perform all the time.

Him: I don’t have to. Don’t walk so close to the edge!

Me: You’re right. I’m going to run the rest of the way.

Him: What? Why?!

Me: We have to remind ourselves to do brave things, sometimes, Fischer. Otherwise we wind up moving to Hollywood with a beautiful voice – and then become too shy to even sing.

Him: What? Stop! Don’t!

Me: See you at the bottom of the canyonnnnnnnnn!

(I run away, singing, and flailing my arms. Fischer looks mortified. Paris Hilton is amused, then annoyed. Also, she wasn’t there at all.)

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