I Love Me: Breaking the Silence Awards + Maxine Waters

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Desserts sponsored by West Hollywood Gateway

Breaking the Silence Awards recognizes corporations and leaders who use their platform of influence to advocate for Sexual & Domestic Abuse awareness. Since the inception, the I Love Me Foundation has provided supportive services through legal referral assistance, advocate support, financial aid, employment referral and housing assistance to over 1,500 youth, young adults, sex workers, and those in the under-served communities.

 

Yes, that’s Kelly Osbourne and Robert Harrell – get excited! But also, please keep your cool. It’s Los Angeles and chill is what we do best, even in the heat of the day. Make no mistake…

The day wasn’t without its lively moments. Yes, we talked about abuse, survival, disenfranchised communities – all things liberals love to talk about! We also had a blast. It was a celebration of #MeToo, #TimesUp, and the transgender communities and communities of color that support their struggle.

 

It was about female empowerment, humanity, and rejoicing in our ability to tell the truth, so that when the artifice falls away, and we take the narrative back from our abusers, we reveal a truer version of ourselves, which is a boon to our loved ones, to the communities that support us. It was a celebration.

Robert spoke with a tremble in his voice, but a power in his spirit – about how inspired he is with his mother. About how 90% of rapes aren’t reported the first time. How, when he came to her as a boy with his story of abuse, she believed him the first time. He honored her with the Purple Heart Award, and she beamed! She was so proud of her son! He was so proud of her! It was quite amazing to watch.

I teared up, myself, during this part. Something about him emphasizing the first time struck me as incredibly powerful. I certainly wish, when I came forward with my own abuse story, people would have believed me the first time. He made an important point – we have got to retrain ourselves as a society, to stop doing the abuser’s work for them. To stop minimizing, to stop shoving people into “victim” boxes, when what they are doing is actually heroic.

“We must remain vigilant and unified…” -Karina Samala

 

I was impressed with the desserts. The food was all fantastic, and Chaz Dean was the main sponsor. He looked sleek and stylish and his table was extremely well groomed – don’t worry.

Alexander from West Hollywood Gateway, with Desireé, and my date, Steven Reigns.

Steven was named Poet Laureate of West Hollywood. It’s true! Okay, I’ll stop bragging about Steven. I was flattered he asked me. It felt like getting asked to prom. I spent last week walking on a cloud!

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“We have just scratched the surface of what’s happening… They have turned #MeToo into a weapon when it’s really a tool… to talk about sexual abuse, harassment, sexual assault. Even saying ‘Me, too’ is an emotional trial, and we are leaving them alone, to raise their hands alone. We will NOT let [the abusers and Republican pundits] turn it into a weapon. It’s a tool. It is not only for women. The future is NOT just female. My daughter answers to they/them pronouns. The future can not be just female because it leaves transgender folks out.” – Tarana Burke, founder of #MeToo
Steven doesn’t know we are on a date but we totally are…

 

“I am a survivor of both domestic violence and sexual violence. The situation puts you behind enemy lines… [After breaking the silence] I lived an episode of Black Mirror for an entire year. There were friends that turned out not to be friends. There were enemies that turned out not to be enemies. When you say that you demand to be treated like a human being, there are people who come out of the woodwork to insist that you’re not…” – Terry Cruise
I was grateful, but my absolute favorite part of the day was watching 80 year old California Representative, Congresswoman Maxine Waters speak with the exuberance and stamina of a much younger person. She speaks with the clear, strong voice of someone who knows she is exactly where the universe wants her to be, because, in part, she bent the universe to her will, by climbing over, tunneling under, or going around any walls her opponents put in her path.

We were lucky enough to walk the five flights of stairs right behind Maxine. We weren’t too thrilled with the no-elevator-situation, but Maxine didn’t care. She may have mentioned getting some exercise in, but she was unflappable and determined, and by the time we reached the top floor we were all joking about what an incredible photo-op it would be, if next time the Congresswoman jet-packed in with Elon Musk. She has a sense of humor, but by the end of her speech, she made a metaphor about how, if she could take the stairs in life, the rest of us could, too. It’s fifteen minutes long, but she doesn’t stop to rest, and she doesn’t let up on the abusers. She is determined to see abusers like Brett Kavanaugh prosecuted for their crimes, and she is still determined to see the impeachment of this illegitimate, corrupt, racist dog-whistle blowing Presidential administration. She, among all politicians, is the only one who makes me want to stay and fight, and not emigrate to Europe. I can’t help it, there’s a 14 year old gay boy inside me that just loves her. She can do no wrong, in my eyes.

I’m incredibly grateful for the day, and for the reminder that yes, I love me.

Thanks, everyone! I love you all, too!

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Dear William Ivey Long,

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September 11, 2018

Dear William,

It’s been a long time since I corresponded.

I have been busy, and surely you have also been busy. Even so, you abused me a little in 1995, and quite a lot in 1996 –  so I have complicated, unresolved feelings for you. Not to worry, I pay a therapist to listen to most of that, but, since the article came out I’ve been kind of mired in feelings that I should have resolved decades ago. Dumb stuff. Self-blame, then externalizing the anger (shame, regret, fear) at other folks, then back at myself. You know the cycle. You, of all people, know that cycle. You created it. It’s the cycle of abuse.

It’s not certain whether you’ll read this letter or not. I am not planning on emailing it to you, but I’m actually curious about your reaction to the article. I don’t want to be outright rude. Straightforward, yes. Critical, definitely, but I’d prefer to keep this civil. Civility and diplomacy are in my blood. My great-grandfather was a widower with 11 children. He founded a settlement in one of the North Fjords of Iceland. He was also a writer, a shepherd, a farmer, a fisherman. I think he taught school, as well. Iceland is that sort of country. Maybe you’re even President for a while, but after that, you still have to make yourself useful. It’s not like here, where you might do one thing, over and over again – learn one glitzy trick, and rest forever on laurels other folks earned.

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(We all know you copied those Lost Colony costumes, William. You bragged about it. You stood, studying rare art pieces featuring Elizabeth and Raleigh, and you copied them exactly. You purchased the most exquisite fabrics and you supervised a team of people you trained to build clothing that would last. It’s a phenomenal skill, but you’re not creating any new ideas.  What you do is NOT art. It is very much a craft. You’re a crafty guy. You have crafty fingers and a crafty mind.)

Your lawyers tied up the Buzzfeed story quite a bit. They made publication take another 10 days, after we had already researched and corroborated your abuse from quite a few sources. Some folks talked to us about other illegal activity you should have been criminally charged for (prostitution, intimidation, coercion, hush money, bribes, date rape, sexual assault) in the 90’s. People keep acknowledging what you did was wrong, talking about it explicitly, then, right at the last minute revoking permission to quote or source them, even anonymously.

Congratulations, you did a decent job scaring everyone.

But, there’s a difference between “decent” and “world class.” You taught me that. So, in some sense, it doesn’t matter. The people are coming forward now. Your days ignoring this are numbered, William. You won’t be able to act ignorant much longer. Of course, we both know you’re painfully aware of the charges leveled against you. Your team communicated extensively with Buzzfeed when we were working on the story. We both know it’s a matter of time before more and more (and yes, even more) people step forward to label you what you are: a serial abuser, and quite probably, a rapist. Most certainly, you covered up sexual harassment. We know about that. The stuff you were more careful about? Maybe we’ll never know. Or, maybe it’s a matter of time?

I was just in NYC, talking to a few theater-oriented publications, as well as larger outlets like NPR and the major papers in town. People are interested in this story. It’s not going anywhere. I’m not going anywhere. We’re still dancing William, at least until this song is over, or someone changes the tune. I rather like the chords the article struck. Adam is a good journalist, and though I didn’t love him painting me as a long-suffering Broadway hopeful, I did love that Buzzfeed thoroughly vetted every SINGLE charge they leveled against you. I did love that Adam was professional, yet compassionate. I did love that I have control of my side of the narrative now. That I can say exactly what you did, and who you are, and how dirty those crafty fingers are.

I was going to drop by your new studio while I was in the city, but I got wrapped up in story pitching, media outlet commentary, and reconnecting with old pals. My mother called me on the phone, specifically, to ask me not to drop by. She’s worried you might shoot me, or be so angry that you struck me dead. She loves me, and wants to see me healthy and happy. She can’t stand you, William. She really hates you, and what you tried to do to me. She’s mad at herself, a little, sometimes, but she doesn’t let any guilt she has affect her joy. Wallowing in regret isn’t what life is for. But, sometimes, William, I know she blames herself. I know she wishes she would have made a big stink about it when I told her you were abusing me. We were at dinner, with extended family. They didn’t yet know I was gay, and they were coming to see the show opening. Someone asked me what it was like to work for a Tony Award winning designer. I said it was an honor, but then I said I wished you’d keep your gross hands to yourself. Everyone gasped, and my mother (who had heard a more detailed version of what you put me through) changed the subject in that firm, graceful way Southern women have of insisting on a new topic. I’m sure you know women like that. You’re a Southerner, after all. From an old, respected family, I hear. As you can imagine, the ladies whisked the conversation away from your abuse, and the men acted as if they’d heard nothing.

That’s the South for you.

Anyway, I was going to head down to 44 Walker St. to see your studio. Last I visited you was in the early 2000’s. It was at your townhouse, back when you did a lot of work from home, in your Chelsea brownstone. Your assistant, Brian Mear, was still alive, and he greeted me in the lobby. He looked worried and exhausted. You came down, annoyed, it seemed. You could barely hold your impatience, but as I chatted with you you softened and got those doe eyes you sometimes get when you’re toying with the idea of breaking someone down. You left the room to get some drawings. Brian asked me why I was visiting. I told him I was out of work, and that I was hoping that you might point me in some right direction. A director friend who needed an assistant would have done it. Another designer, or a playwright, or hell – even a casting director that needed an office manager. You left Brian and I alone for a few moments and he asked me why I was visiting, and when I told him he shook his head no.

“William would rather break something than not have it,” is what Brian said to me. It was a simple metaphor, but I understood it immediately. I understood that Brian wasn’t going to let me push my resume at you. I understood it was probably fruitless to ask you to open your Rolodex for me. I’d already unsuccessfully tried to get Agnes and Fred Chappell to press harassment charges against you. Agnes talked me down. She said, don’t do it, you’ll regret it, young folks (especially homosexuals) will never be believed against an industry giant. All the ingrained lies people always repeat to get abuse victims to shut up about their bosses and their crafty fingers. They did your dirty work for you, William, probably without you even having to ask them. You were always the biggest name on the Lost Colony, and I suspect that was by design.

Your fingers are really gross, William, but your designs are fantastic.

Brian Mear warned me to get away from you, and I did. I didn’t come back to your office or your house. Something about how he said what he said to me that night struck me as a little more dire than his measured voice was letting on.

William would rather break something than not have it.

I had a brother like that. He went through a phase where he broke a few of my finer toys, on purpose, just because they weren’t his. It creeped me out when Brian said that to me. Because I knew the violent, abusive tendencies that accompanied the type of personality that would see beauty, and ruin it – just for the sake of spite. I’ve learned since then, there are actually many people in the world who will go to no ends to be cruel to other folks, just because they can. Brian Mear reminded me – watch out for that personality type. It is only emboldened by money, status, and pedigree.

It was chilling to me, this summer, while researching with Buzzfeed, to find out Brian Mear had killed himself. A trusted tech person at Lost Colony told me he shot himself in a vacation house of yours.

I’m sorry you lost a good assistant.

I didn’t drop by your office or your house. I was going to – not to knock on the door or try to surprise you with a microphone in some “gotcha” moment – I wanted to photograph the exterior of your brownstone and your offices, and make some sort of use of those images here, on this gay culture magazine I publish.

But, my New York pals were so happy to see me, and my new journalism connections had so much to talk to me about; I didn’t have time. I used to fantasize about taking your awards away and melting them down into chains and handcuffs, and giving them back to you. I still think that would be fun, but I don’t really want that anymore. I just want you to admit what you did and apologize. Maybe, you get extra credit if you offer to help some of the folks whose self esteem you damaged by cheapening them down inside when nobody was looking?

By the way, is that what I was to you? Is that why you whispered about how smart, how poetic, what a great ‘eye’ I had? Why did you say all that nice shit above my waist, and treat me like raw meat below? Didn’t you see I just wanted someone to show me how to make beautiful things? Why did I have to confront so much evil in the world, just to learn basic design principles? Were you bored? Did I threaten you, somehow? Or do you just like breaking spirits because it’s useful and fun? I know those costumers working under you always mumbled through glazed over, faraway eyes. They were always exhausted. Always shaking their heads and muttering about the latest indignity you foisted upon them. Never social, and always bitter after just two beers.

I lived through 9/11 and I’ve never been to ground zero. I never thought I needed to see the gaping wound inflicted on my beloved City of New York. I think I’m not going to drop by your house, or your office, either.

I think I’ll wait for my apology. And, if I wait my whole life, maybe that’s fine, too…

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But, I might just keep writing to you. I hated the way you touched me, and I told you as much to your face a few nights. But, I loved the way you talked to me, once in a while. The way you sometimes taught me, encouraged me. Like I said, it’s complicated and unresolved feelings.

Why must you take so much away, when you give a small encouragement? Is that what you think is fair? Is that how people should be treated? Like chattel, to be fondled and cooed at, then forced to pull a plow or get hacked up for the dinner table? Or, slowly milked by oily, crafty fingers by the light of a candle in a shady barn or props cabin? Gross. You see what gross thoughts you inspire? Why couldn’t you have been a mentor, like promised? I’m sorry. This is fringing on uncivil. I’ll move on.

I hope this letter finds you well. I want you alive and well when this story gets bigger. It’s already happening. So no, I won’t be visiting your office to take photos of your soot-covered brownstone. Unsettling as it is, I’m going to have to give myself boundaries.

I’ll explain boundaries and why they’re so important in another letter maybe.

This is exhausting. I’ve been losing weight rapidly this year. I’m so worn down by this and I don’t see a way to stop what I’ve set in motion.

Probably, I just need sleep, or a vacation. The long summer is over, and I suppose I owe myself the opportunity to bear witness to an incredible fall. 

I await your apology.

Sincerely,

Michael S. Martin

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The Fall and Rise of Andy Dick, Part Two – The Myth

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My wife is a tiny bit jealous – just a little.

I was spending time with one of my Wizard friends, and now I’m teasing her about it. She’s fascinated with my friend Wendell, and has been ribbing me about how I’m hoarding access to him. Somehow, without being told, she can sense Wendell is training me in sorcery, and she’s envious. She wants in. But Wendell is here at Akbar with other pals – theater writers, performance artists, radical faeries et al – and I’m not about to bother him to teach us incantations, hand witchery, or request the tricky instructional task of opening dimensional portals.

It’s too much to ask at 11pm on a Monday.

The after-show is winding down; people are starting to remember to get tired. My band played a couple of songs, (at Ian MacKinnon and Travis Wood’s Planet Queer), and we’re all basking in the after-gloaming. The boys and I did well, and now’s the time we collect our accolades out front on Sunset with the smokers, travelers, fortune tellers, and ghosts. I’m pretty confident after tonight that our show on Sunday, July 29th (at 7pm! 10 bucks!) at the Satellite will be pretty tight. Everyone seems to be feeling pretty okay.

(get tickets here!)

Then, for the second time in less than five days, there he is. Andy Goddamn Dick.

(She’s there too. The lovely blackberry-lipped pixie-faced girlfriend. The woman in the sundress from the first night. The one who kept storming in and out. She’s not angry tonight. She looks different, though, almost goth. She’s put together a simple outfit. Black shorts, tight, a matching halter top. Maybe that’s what it is. But she seems calmer tonight. More fluid. Andy is feeling gregarious. He’s shaking hands and saying hello to folks. I’m glad he’s feeling better – his cataclysmic #metoo resurfaced recently, but he seems less cagey than last time. I realize, he’s dressed just like her – that’s cute!)

Hey, I say to my wife, that’s the guy I was telling you about yesterday – Andy Dick from News Radio. Wanna meet him?

Sure.

Okay.

So, I call out to Andy. I wave. I don’t think he recognizes me, then, suddenly, he does.

Andy has always been such a bright light to me. Like me, it’s clear he has issues with his energy level, and maybe his is even worse than mine, now that I’ve encountered him a couple times? Sure, I have my hypomania flare ups, but he seems to be running pretty hot, pretty consistently. Then again, what the hell do I know? I never open the newspaper anymore. I can’t even do NPR in the car. It’s just silence and daydreams, and rattling around the old memory castle any time I have a long drive ahead of me. I just added a small, secret courtyard somewhere on the grounds. Not sure exactly what I’m going to put there. Possibly, a very fey Minotaur? A two-spirit Wendigo? The Thin Woman?

There’s still time to mull it over, I think, smirking. We only have the entire rest of our lives…

Andy comes over. I beam at him. Look who it is! Andy! Hey – I wanted you to meet my wife, Ann. Andy smiles. It’s genuine, but then his eyes narrow as he starts to shake her hand. I turn to try to introduce Lammy, but Lammy is just staring at Ann and Andy, his mouth agape. Lammy takes a while to process things, sometimes.

I think to myself, oh, maybe he’s still thinking about the show. You do that sometimes. If a show is particularly good, it can feel a bit like waking up from a dream, after, if there’s flow.

Lammy is suddenly alarmed. He points. I glance over at Ann, who looks horrified for some reason. Andy is smirking, impish, a sudden ugly, triumph in his eye. I don’t like this, but now Ann is rushing off, possibly to the lady’s room? I missed something. Lammy looks shocked. His head turns toward Ann, who is disappearing inside. Should I go see what’s going on with Ann, I ask? Lammy says, yes. That would be a great idea.

I catch her in the ladies room, wiping her ear out with toilet paper. She looks annoyed. There’s a smudge on her face I noticed earlier. One of the performers kissed her on the cheek and left burnt umber on her cheek. It looked sweet out in the street lights – like a kiss – but here in the ladies’ room, she’s rubbing it and it starts to smear into a bruise. Then, it fades – gone, entirely. She throws the toilet paper into the toilet. (Women love toilet paper. Good luck, if you sire three daughters; you’ll bankrupt yourself on toilet paper.)

She takes more, and wipes out her ear again.

Moments like this, you shouldn’t envy. She looks at me, and I look at her in the ladies room.

Did Andy do something?

Yes.

What?

Ann sighs. It seems like she is considering whether to speak to this at all. One of the things I love and respect so much about her is her incredible self-control, her wisdom about situations like these. Ann never comments unless she feels like engaging, which means, sure, you can ask her a question, but she never owes you an answer. Finally, though, she speaks.

He stuck his tongue in my ear.

Gross!

Yes. It’s gross and tiresome.

(This, to me, seems like an understatement. There’s something in her body language that looks exhausted, beyond annoyed. There’s an awfulness just beyond her blue, orange flecked eyes, and it’s speaking to me. It’s saying, Michael – this is one of 10,000 instances like this. It’s saying, this is just a small part of a lady’s daily hassle. Indeed, I think to myself, gays inflict this vulgar, pathetic type of behavior on one another all the time).

Ann, I’m so sorry! I didn’t see it. I was trying to see if Lammy wanted to meet Andy too.

She shrugs and sighs. It’s getting late, she says, and gives me a crooked smile. Andy has moved into the bar, to continue his daily binge. We sidle past him quickly, trying not to raise his attention.

We get out into the fresh air. Ann is parked across the street. I walk her over to her car. We came separately tonight. We talk about Andy a little, and how it sucks that, even supposed safe spaces are sometimes inundated with predators. But mostly, Ann wants to talk about what a lovely mini-show Evil Mutants had, and what a supportive, generous community Planet Queer cultivates.

She’s being generous. I know she’s grossed out and she’s trying to make sure my evening ends on a good note.

(In other words, she’s being a good person.)

We talk about upcoming events, meals we need to plan for the week, and I tell her I’ll see her at the compound, or back on campus. We have nicknames for the estate we’re haunting these days.

I kiss her cheek; we say our goodbyes.

I wait outside on a bench with Lammy and a boy named Robin who’s flirting with him. Ann drives by and I wave, but she’s got her mind on the road. It occurs to me – She’s no Orpheus. She’s my wife, not Lot’s – this creature does not look back.

A snippet of parchment flies out of a dusty cabinet in my castle’s study anti-chamber. It’s a private study I put retired ideas, just off the King’s quarters. He needs to be near his early writing, so he can remember what Prince-hood was like.

(bridge)

Just like Orpheus, you’re heading down the Harefield Road.

Clear out the underbrush, someday you might emerge.

But like Lot’s wife, you couldn’t help but watch it grow.

Just be careful you’re not petrified….. by the suuuuuuuurrrrrge.

(breakdown and final chorus)

You looked back!

You looked back!

Your eyes were begging, (please, oh please,)

just cut the kid some slack!

You looked back!

You looked back!

With a glance you missed your chance.

I’m never coming back.

You looked back.

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On the concrete, something I haven’t seen yet in California. Something I only ever think about in Florida – a Palmetto bug. It’s long and sleek and shiny. About two inches of hairy legs and antennae. They’re glorified roaches, but, to add a horrifying, odious layer – they can fly.

But, this one is languishing on the sidewalk, twitching, half squished. It’s clearly in the throes of death. It occurs to me – the most humane thing might be to kill it now, but there is a Buddhist principle in some sects that forbids this sort of thing. I consider the dilemma, but, presently,  I have bigger cats to skin. I turn to Lammy, who seems to read my mind. What are you going to do, he asks?

Head inside, I say.

I enter the cool blackness of Akbar. Behind me I hear Lammy mumbling something which sounds like, good idea.

I’m not sure. Maybe Lammy was talking to me. Maybe he was inviting cute Robin into his memory castle. In any case, Lammy’s opinion about this isn’t relevant to me any longer. I’ve pulled the trigger.

I’m going to beat the shit out of Andy Dick.

(to be continued)

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