Author: piefolk

This story came across my desk, with these photographs.

You can find the original running in Falo, a gay art magazine in Brazil, if you speak Portuguese. Otherwise, it’s running here, too. 

Even though William Ivey Long is not specifically identified by name in this article, the details identify him, and corroborate the pattern of abuse I spoke of in 2018.  I’m proud of Court Watson for coming forward, and I hope the theater community continues to support and work alongside him. Here’s the article, reprinted:

(Court poses with his abuser, blurred out, and his unmistakable design)

When I was in college, a famous man took advantage of me. As the #metoo movement burst wide open, I thought that multiple stories about him would come to light. I was genuinely surprised when only one did. Buzzfeed published an article about another man’s story, and how his harassment and assault at the hands of the same famous man caused him such pain that he left the business he loved, and was forever changed. I was changed too, and surprised that Buzzfeed ran the article with only one man’s story. In my industry, I now know that the famous man has a reputation for inappropriate behavior towards those working under him. The Buzzfeed story exploded onto the scene, and then, like so many others, it just faded away. Perhaps the timing was off; the man had recently been the head of an important organization in our business, but the article didn’t appear until after he was no longer on national television once a year at a major awards show. However, the man has had no fewer than one Broadway show running for the last twenty-five years. If you are reading this, and in any way involved in American theater, you already know who the man is.

Within a week after the article was published, I wrote to the Buzzfeed journalist and we spoke about what happened to me. I gave him multiple contemporaneous witnesses to pieces of my story. After sitting on the topic for a year, his editors decided not to move forward with a follow-up article. It is unclear to me whether more men came forward with stories or if I was the only one. When Buzzfeed dropped the article, the journalist put me in touch with an editor at American Theatre Magazine. It seems they were going to partner with the New York Times, perhaps on a story about patterns of abuse in the theater industry. I repeated all of my story to this editor, along with witness contact information. The editor said that they passed it along to someone at the Times, which decided not to run the story at all. I was told, “there’s not enough to go on.” Both journalists recorded my statements. I am certain that what I write here is consistent with what I told them. And yet, none of my witnesses were contacted to verify my claims.

I worked under the man for four summers in college at a summer theater, learning design. My business is one of the last with a codified system of apprentices and masters; masters in my field often have a team of younger assistants, learning the ropes of our profession. I did indeed learn a lot from the man. I can quote maxims that he taught me. I learned how to create a character onstage with scenery and costume design. I learned a great deal about detail, style, fashion history, garment making, and how to use color to direct the eye onstage. I also learned how to be gracious and charming when needed, and a shark when required. One of the hardest lessons I learned is how to avoid allowing myself to be put in risky situations, but I did not learn that until I was already in one.

As a mentor, the man had great power over me. I looked up to him, and when he rewarded me with praise, I felt special, as if my talent and abilities were the reason he wanted to be alone with me. I considered him an icon of Broadway design. I was inspired by his work when I was a child in the audience at the summer theater where we would eventually meet. He designed the second Broadway show I ever saw, and holds more awards for his work than any other designer in our field. In my world, he is indeed a famous man.

Over the course of three summers, the man gave me more and more attention, going farther and farther each summer, building trust and closeness. I was invited to parties at his home. I was offered alcohol, definitely before I reached the legal drinking age. Trips to New York were dangled with offers of rewards for good behavior and potential future jobs. With his power, I was sure that he could have had any man he wanted, and I presumed I was too thin, too gay, to actually be his type. There were rumors that he preferred well-toned young straight men.

My first summer, there were swirling allegations of sexual harassment that actually involved the man’s associate. When the man heard of this, he called my entire department into the executive director’s office and screamed at us that “in the American theater, there is no such thing as sexual harassment. No jury in America would find someone guilty of sexual harassment in our business. We’re all pimps and whores!” Those words are seared into my memory as if he said them yesterday. He actually said that, as the executive director’s mouth dropped, but she remained silent. She resigned at the end of the season, possibly connected to this incident, possibly not. I gave her name to both journalists to corroborate my recollection.

That first summer I worked with the man, I turned nineteen years old, and I looked younger. He asked me my age, maybe the first time he spoke to me directly. He was delighted when I told him, and he shook his head and winked, saying “No, you’re not. You’re a fifteen year old boy!” And he flitted away. At the time I was flattered and charmed by his eccentric flamboyance. Now that we have a shared understanding of “grooming,” I know this is where it started for me. Within a week, I’d called my mother from a payphone to check in, and proudly told her this story. She chuckled, but was unsettled. Even though this was literally twenty years ago, she remembers. I gave her contact information to both journalists. She was never contacted.

The next summer I was rewarded with a promotion and a pay raise. It was made clear to me that the man had been consulted and was responsible for my increased responsibility and compensation. The man was more present that summer, and I was invited to weekends at one of his vacation homes, where, still under age, I was given too much to drink. One of his New York assistants, easily twenty years older than me, took me to an upstairs bedroom and we had sex, which I did think was consensual the time. I was mortified the next day when the man licked his lips as he recounted what his assistant had told him about our encounter, in grotesque detail. It was as if the assistant had given me a test run.

My direct supervisor was also at the vacation home and saw my distress. She warned me to take better care of myself. She knew the rumors of the man’s behavior and was concerned for my welfare. I’m sure she remembers it even though we are not in close contact. I was able to find her contact information and provided it to both journalists. To my knowledge, she was never contacted.

The third summer I worked with the man, I was regularly invited to his home to set up for and attend lavish parties, with countless mint juleps in antique silver cups. Halfway through the summer, I became old enough to legally drink alcohol. I was dazzled by the posh guests at his parties, including actual royalty. The man had recently won additional major awards. He was on top of the world and deigned to include me in his glittering universe of celebrity and fame. I was dazzled.

Bruce Weber, who has since been accused of sexually harassing multiple male models, had recently photographed the man, and he was in a new limited edition book that sold for hundreds of dollars, well out of my price range as a college student. The man casually told me he had several copies, and he’d sign one for me. He mentioned that they were kept in his upstairs bedroom. I knew I was tempting fate, but took note. Shortly thereafter, I was at a small party a block away from the man’s house. He showed up and gave me special attention. I was deeply flattered.

After several drinks, the man invited me back to his home for a chat about my future and maybe a complimentary expensive signed book. I was not in any way sober, and someone at the party suggested I call it a night. They were trying to look out for me. Instead, the man helped me to his porch. More drinks were poured.

I had been drinking and the man was not drinking; there was no way for me to consent to anything. I remember him exposing his genitals to me on his porch. I remember being guided up the steep stairs to his bedroom, and being told to keep quiet as the man’s mentally disabled sister and her elderly nurse were in the house and asleep. I remember the man telling me that he “had a rubber” and we should use it. I do not recall if we did.

I remember his pasty fleshy body under me. I do not remember if either or both of us reached any kind of climax. I do remember seeing multiple copies of the notorious Bruce Weber book on a shelf by the bed, but I got dressed and left as quickly as possible. I’m sure I was disheveled, and too drunk to drive. I ambled back to the other house alone, and multiple people there saw what shape I was in. Someone was kind enough to drive me back to my apartment. I know exactly who the host of the party was that night, but have not reached out to her in years.

Did I think at the time that what happened was consensual? I am not sure. Was I flattered by the man’s attention? Absolutely. Was I disgusted at what had happened? Definitely.

The following year, I was a senior in college. A master designer was brought down from New York to lead a seminar. I was given a private interview with him where he encouraged me to consider graduate school in New York. I proudly told him of my years of work with the famous man, and he grimaced. Without saying anything unkind, he asked, “Are the rumors true? About the boys?” I was mortified. Not only did I realize that there were rumors in the big city about the man, but that I was not unique. Our community quietly whispered about stories that were similar to mine. I did not confide my personal story to the master designer. After the Buzzfeed article appeared, I reached out to him twice to ask if he recalled that moment, and he never replied to me.

(Court met Long while working for the Lost Colony)

While I did work with the man for one further summer, that night in his bedroom was the last time we were ever together alone. I thought I must have somehow disappointed him. Or maybe he had less power over me now that I had been accepted to a prestigious school in New York and he no longer needed a tempting offer to get me to the big city.

When speaking with the journalists at Buzzfeed and American Theatre Magazine, they asked if there would be a record of a complaint against the man with the company where we worked, but there would not have been. The earlier comment in the executive director’s office made it clear to me that it would fall on deaf ears, so I never complained to anyone in authority at the organization. There is, however, clear record of my four years of employment there. To my knowledge, neither journalist followed up to confirm my four-year employment.

After graduating from college and graduate school, I never sought work from the man, and I did not tell many people what had happened between us. About five years later, I was assistant designing a Broadway show. Costumes for Broadway shows are handmade in one of several shops in New York City’s Garment District. It is not uncommon for the biggest names in design to be in shops at the same time as the shops work on multiple productions preparing new Broadway shows simultaneously. In 2008, our design studio was in one such shop. I had heard that the man would be in the shop that day, and I basically hid in a back office so as not to encounter him. At one point, I needed to go to the bathroom, and the man nearly ran into me in the hallway. He grabbed both of my shoulders and said, “My! Don’t you look great. You’ve finally gone through puberty!” He winked and continued on his way. I’m not sure he even remembered my name or where he knew me from. This was the first time I had seen the man in person in five years.

I was deeply shaken and went back to the office to try to collect myself. My supervisor had seen what had happened and checked to be sure I was okay. I was not okay. I did not go into much detail, but enough for my supervisor to be disgusted with the man’s notoriously inappropriate behavior. My supervisor made sure that I did not cross the man’s path again. I was surprised by how shaken up I was, and I left work early that day in spite of pressing deadlines. It was the first time I’d really stopped to think about how I felt about what he had done to me. I gave my supervisor’s name and contact information to both journalists. He was never contacted.

Afterwards, when the man had his portrait unveiled at Sardi’s, the theaterati restaurant in the heart of the theater district, the man’s associate, from the vacation home encounter, invited me to the ceremonial party. Perhaps I was trying to convince myself that I was able to move on from what had happened years earlier, so I went. I did not encounter the man personally, and I do not know if he saw me there or knew that I had been invited. I was proud of myself for not being too rattled to attend. This man’s presence in the theater world was just a fact of life, and I made an effort to teach myself to be okay with him being around if I wanted to survive in my field, even if I never wanted to work with him directly. To me, it felt like a victory that I could attend his party without breaking down. Now that I know I am not alone, I wonder how many other people there were coping with the same feeling.

When #metoo stories started popping up on Facebook, I wrote a brief post, not mentioning the circumstances, but acknowledging that I too had a story. I was surprised when no one named the man. Years later, when the Buzzfeed article came out, many people in our business knew about it and discussed it; they weren’t shocked by the allegations against him, but that there was only one accuser. There was a flurry of activity on a closed group page for people in my industry. My supervisor, who had kept me safely hidden in an office a decade earlier, checked on me to see if I was alright.

Another friend who knew more details of my story began taking screen captures of the comments and shared them with me. One was from a former college teacher of mine. She had taught me to sew and at the time had taken it as a point of pride that her lessons had landed me a job working with the man. She wrote on the board that one of her students had told her, back in 2002, of a very similar story to the man who had told his story to Buzzfeed. I had not been in touch with her for years, but I found her information, and contacted her. I needed to know if she was talking about me, or if the same thing had happened to yet another one of her students. She confirmed that I had told her my whole story. I have no memory of having told her what had happened to me. She agreed to allow me to share her contact information with the journalists to verify my contemporaneous account. She was never contacted.

I also recovered the screen captures of the board comments and shared them with the American Theater Magazine editor. I provided my friend’s details to verify the screen captures. She was not contacted.

I was unnerved by a gnawing pain that my not speaking up at the time had enabled the man to possibly continue his behavior and hurt other vulnerable people. I felt responsible for anyone he took advantage of after not saying anything to management at the time.

After speaking to the two journalists, I attended a Broadway leading lady’s memorial service at the gargantuan Gershwin Theatre. When I saw the man seated in the row in front of me, my heart raced. I shifted in my seat so there was no way he could see me. Again, it disturbed me how much it bothered me to be in his proximity. The Buzzfeed article had already come out, and I didn’t want him to approach or speak to me. I had already spoken to the first journalist and didn’t know if my story would be published or not.

When I heard that the New York Times and American Theatre Magazine would not be moving forward, in spite of my verifiable stories, I was devastated. I spiraled into a depression that lasted several days. It was like a visceral punch to my stomach that wouldn’t go away. Not having space to tell my story pained me nearly as much as coming to terms with what happened to me.

I posted an impassioned Instagram story, without naming names, and several people, friends and strangers, reached out to offer support. I am grateful for their ongoing kindness. The publisher of Falo Magazine reached out to me privately, and asked if I would be willing to write something for him. I’m grateful for the space to be taken seriously, and heard. I am also thankful for his patience, as this has indeed been difficult to write.

All of this begs the question as to why I am going public now. Why public? Why now? Initially, I wanted to use the man’s name, and remain anonymous. That would have been easier with the backing of a major news company. Maybe only two of us have now spoken out about his behavior, but I am confident that there are more of us who he took advantage of. I am certain that speaking out is the right thing for me to do.

Do I expect an apology from the man? No. Do I want to pursue legal action for what he did to me? No. Do I want to be congratulated or called ‘brave’ for going on the record? No. Do I want attention? No, not for something that is so personal and so painful.

Do I want to be honest with myself and my peers in my industry? Yes. Can I allow myself to remain silent any longer? No.

It has taken years to process what happened to me. It has been a journey to know that it is indeed not my fault. Thanks to all who hear this, and a special thanks to those who speak up and speak out with their own stories, whether about this man or others who have mistreated people who look up to them. This behavior should not have been tolerated twenty years ago, and it cannot be tolerated now.

As we are finding is often the case, powerful people play by a different set of rules. Other powerful people cover for them, making excuses for them. The same thing is true of creative people. People allow geniuses to get away with bad behavior that would otherwise not be tolerated. They are forgiven for treating people inhumanely. This must stop.

The man is indeed a genius. He is also a predator.

I walk into Akbar. I’m going to ask Andy Dick to come outside, to dance a little – to fight me. I crack my knuckles. It’s been a while since I let myself have the thrill of a dust-up. Since middle-school, probably, if you don’t count me subduing lovers in younger years, when, wild, they would lash out in juvenile tantrum.

Today, I’m going to allow myself one, though. A nice bum-fight in a tin-can alleyway. Today, I have no fucks to give. Andy Dick stuck his mealy, oily tongue on my wife’s happy face, and ruined a magical night. Now I’m going to beat his ass for him.

I’m going to show him what happens when he violates my wife. When he violates any woman. Any man. Anyone.

I’m going to demonstrate to him what it is to be poked, prodded, cajoled and entered against his will. Maybe I’ll beat him up, or lambast him in front of the whole bar – maybe I’ll lure him into a dark alley, flirting with him – choke him within an inch of his life. Maybe – like in that Stephen King book I read when I was twelve – I’ll tie him to a tree, and penetrate him with sticks and branches, until he bleeds shame into his tight white underwear. I’ll make him shove those underwear down his throat, so nobody will see. Maybe, this time I’ll be the one invoking shame. Tell him I’ll kill him and his loved ones if he coughs up his bloody rag. Maybe, for once, I’ll be the abuser?

I move from the bright, lively Monday night street to the coolness inside Akbar. I try to calm down. How childish I am at times, I think, taking a deep breath. If I’m to be effective here, and call out Andy, I have to keep my cool.

It’s something we’re constantly striving for – hypo-maniacs – to control the endless wellspring of energy, so it doesn’t take hold. It’s easy to let the energy itself start making the decisions.

It’s true, we get things done. We have powers, but they must be honed or they will destroy. I think I’m going to try to trigger him, so he throws the first punch. That will give me a reason to mop the floor with him.   I see them, nearly spot-lit, in the back, center couch – Andy, and his goth/pixie, who bears a whisper of the power Aristotle planted in Alexander at Mieza, in the Nymph’s Temple.

That’s right, I think, accessing a small, brief nook of my memory castle – her name is Alexandra.

But then, something else. An intruder.

My night vision isn’t as good as it used to be. I can still see fine without glasses, but transitioning between light to dark and back takes longer, is more disorienting. I take another breath. The third eye opens, and, unexpectedly, I’m thrown into Ragisland, but I’m not inside the halls of my memory castle. I’m far from it:

It’s dark in here. What is this place? I can’t see things, but the temperature, the atmosphere has changed. I’m not in a bar. I’m in a musty cabin. But where? Suddenly, a knowledge comes. A certainty. 

Sneaky Billy is coming.

Everyone else is coming, too, but slower. Sneaky Billy knows that. He knows they move slowly around him to give him space, avoiding his attention. They stay away. Except his closest familiar creatures. Those, bent over, exhausted, harrowed creatures do his bidding silently. Those who create his illusions. They rarely speak, and if they do, they seem far away – removed, voided, somehow of the very real estate between their eyes, their fingers pricked, dead, sucked dry of juice. Once Sneaky Billy starts feeding on someone, they become a shadow of their former self. Like an addict, but worse – worse than dead, a pathetic, nearly human – like Sneaky Billy.

His lackeys, mostly mute, care only for his favor. But, Sneaky Billy is a cruel master, and speaks ill to his ilk most of the time. They mutter here and there, jealous of one another’s time with The Sneak. Jealous, even, of his abuse. Some people can be trained to feel abuse like attention. They crave attention from his cold, smooth, dry hands. Sometimes I think of Sneaky Billy as a puppet master, with tired, shabby, leaden puppets. The puppets, dancing an exhausted St. Vitus. The master, a cold glint in his eye. Toying with me. Growing bored, growing impatient, growing hungry. 

Cursed, I think to myself, as I stand alone in this dark cabin, waiting for his hands. He is cursed. He did something to one of the Old Gods, and now he walks the earth like this, hungry, powerful, unsatisfied. So monied and pedigreed, so rotten, spoiled, but touched, oh yes, a touch of the bright water that runs through all special folks. But his touch is twisted, gnarled like a pithy tree branch, bony like a skeleton’s finger, alternately pointing, beckoning. 

Waiting, in my loincloth for him to say his ugly gutter magic, to sing-song ‘anterior superior iliac spine, posterior superior iliac spine’ over and over again. His hands obsess over my shabby loin cloth. His fingers slip, oops, he sneers. He’s looking for my third eye and I’ll never open it for him. The nine stones shift. The pool hardens to a tacky, acrid molasses. The croaking frog whispers to the Holy Fool.

Maybe, it occurs to me – maybe Sneaky Billy has a way of stealing their memory castles. I can feel him in the dark, when he gropes me. He smells mine. He can smell my castle. He knows I’m hiding a magnificent kingdom he will never get the keys to. He tried to touch my third eye the first time we met, when I was just a peasant boy in a loin cloth. He placed his hands There is a secret grotto, a fragrant, deadly pool, nine rocks, and an enchanted croaking toad. They work together to form a living, shifting puzzle-lock. They guard entry for me, and I’ll never let Sneaky Billy inside.

The thought of Sneaky Billy, with his Ivy League short cropped jacket, with his tight weave satin Ivory Black and Yale Blue. Always black and blue, like a raw piece of steak, like a fresh bruise on a hustler’s face. Sometimes hints of a dry, gold-yellow. Or brown and orange, like a cast-off nectarine in a deserted fair-ground.

But, always, too, a vicious glint. What might have been a smirk in younger years has curled itself up into a sneer. He wants inside my castle. This whole thing is a game. He wants to show me his castle is better. It’s like chess, or Scrabble, except Sneaky Billy knows how to play more moves than I do. 

“Anterior, superior, iliac, spine, posterior, superior, iliac, spine, parsley, sage, rosemary, and thyme.”He wants to know where the wild roses grow, and I’m like to pick up a heavy rock and kiss him with it. These are all thoughts. This is all just worry. This is all just an Idea of Sneaky Billy.

But, suddenly, the cabin gets colder and silent. There is suddenly much less air to breathe. I feel the dust, like bits of fine glass powder on my vocal chords. In the corner, a basket, colonial toys for children who came to the New World. A gaily painted wooden Monarch butterfly, a crude doll, a squaw, a scrap of leather – the outline of a bison. I can imagine his fingers, cold and otherworldly, creeping down my spine, through my lower back, under the dirty rags Billy made for me to wear. 

He is here.

This is wrong. This is my domain. How did he get here? How did he get on my sovereign soil? True, he’s far away from my castle, but he shouldn’t be in Ragisland at ALL. I open a portal, to check on the Magma Gate. He shouldn’t be able to come here – least of all so close to Skagafjordur. So close to the castle he wants.

So many barriers have been placed against him over these decades. Nine stones form a close formation, nine stones shift and heat and cool. My Croakley – my enchanted frog, stops still, the fragrant pool hardens to a gel, like an old skating rink, not quite solid, not quite liquid – a spongy, searing, sticky death, to the fool arrogant enough to try to touch the magma. There’s a crack in one of my nine stones! I see it now, molten, like lava from an active fissure, seething and undulating under the ground. I ask the toad what happened.

“Stop showing everyone how the clock works!” the enchanted toad says. He’s been drinking gin. It’s late, and his face blooms with rosacea. “Just tell them what time it is!” My toad! My sweet Froggie. My gift from Loki! Why is he slurring? This is more than just a little niplet of gin in the wee hours. This is poison. His heart thrums in his throat, slower and slower. He croaks out another few words. “Why do they call it casual sex?” he asks. He’s always loved riddles and even now, in the throes of a vicious (deadly??) poison he tries to amuse me. 

“Why?” I ask, my voice breaking.

“It’s hard to be casual.”

And just like that, my sweet trickster Toad is turned to porous volcanic rock. A tiny, lonely, hidden person camps inside, but there is no more Toady. He perches, immobile on what I know is rock Nine. There are cracks forming on most of the rocks now. The hardened pool is loosening again, getting more fluid. The rocks shift and drift apart, like estranged brothers. They go their own ways and don’t look back for one another. 

Sneaky Billy never gets his own hands dirty. Sneaky Billy’s hands are soft, but never, ever exactly clean, either.  Cold hands, not as cold as a cadaver, but not as warm as a person’s hands aught to be. Clammy, I think to myself, but that’s wrong. That implies sweat, and Sneaky Billy doesn’t break sweats, he breaks people. He wants my Raven eye. I’ll never let him have it. I feel him approach. I whisper to the Traveller, Mjölnir the Smith, to Freya, even to the Silver Tongued Trickster. I face North, and bend the knee to a family older than this place. To Older Gods than the ones who thirsted for Saint Matthew. 

I don’t know why I know, but I know somehow. Billy is here. It smells like a dirty goat, gamy and hungry for rusted cans and cotton scraps. 

I am alone, in a dark ship’s cabin. It’s musty, now, dusty. there are colonial things shoved in this ship – halberds and jerkins, and stone-hewn hatchets. Quivers and arrows made of North Carolina river reed. Burnt sienna hand prints from nymphs and faeries, who paint their bodies for evening rituals.  Early muskets. A crude pack of tarot cards  – only five lone cards – I pull one – The Holy Fool.  (I can always find him in any deck, at any dinner party, even here in this rotting echo of a ship. He is an enlightened trickster, but he can’t always help, he can’t often interfere – he only provides tools and clues along the way – he juggles and winks at me, eyes back up, about to step off a cliff, about to float off into the heavens.)

 It’s moored – this vulgar, festering monstrosity – far from my castle, down beyond the seediest section of the harbor, in Eyravegur. Moored, I scoff at my self.  That’s an understatement. Some lowlife scrum have pulled it thirty yards inland to rot like the Argo. Disintegrating, landlocked, mildewing, the ship almost bloats.

The mast head a smoothed over splinter, a whisper of what it used to be; Jason’s body long eaten by crows. Not even bones remain. A rusted gasket thumbed into the ground. No one would guess it was once a ring adorning the left index of a Would-Be King.

A miasma – wood rot and mealworm and grub – peaty, loamy, odious. The word fallow comes to mind in this dark cabin, but I correct myself. Things are obviously living, dark unctuous things grow here. Molds, funguses, earwigs. Things scurrying, both vertebrate, and not. A crunch under foot, cast-off exoskeletons, thousands, maybe tens of thousands.  I’m in Sneaky Billy’s Cabin, a slatted ramshackle in the belly of this rotting corpse of a once-mighty ship. He used to pay me to be the gatekeeper of this portal, to outfit the rogues and vagabond-for-hires he chums up and grinds down into paste. Sneaky Billy loves the red pigment, but he’s always searching for the purest, brightest crimson. He’s always smelling. It’s close. He can sniff it out. I stop breathing but his hands find me anyway. 

“You can’t hide from me,” he jeers, circling me  (Anterior superior iliac spine, posterior superior iliac spine anterior superior iliac spine, posterior superior iliac spine anterior superior iliac spine, posterior superior iliac spine.) I built this system myself. My parents had such a crude model, so when mother died, I put father away where nobody could find him, and I razed this, and built this mighty ship.”

“You lie, imp. You have but illusions here, and so far from the heartland where my people are guarded – you lie here, wretched, crumbling. This is another one of your illusions, and though well crafted, it will not endure – for you built it at the expense of others. You had to steal their joy, in order to summon this feeble, rotted corpse.”

Silly Billy’s face loses focus. A curled sneer fades off his face. His brow knits – in his eyes, worry masked over by saccharine empathy.

“I was young once. I fell in love, once. He broke me. I’m broken now.”

I am the sovereign ruler here. I shaped this coast line when I was a boy, and I never, ever made this ship. It’s a lie. It’s elaborate, but it’s a lie. It fooled me, momentarily, but I know what I am. I know who I am. I know what I can and can not control.

My eyes frost over. My organs seize. My bones become liquid. My eye is open. A bluish white light in my mouth. Every hair on my body standing at full attention. A Valkyrie roars behind my eyes.

“Komdu út, djöfull! Þú ert bannað. Vertu gleymt einhvers staðar annars staðar!”

One look – horror on the face of Sneaky Billy – his ship fading off into nothing. Me, standing on my perfect, treeless coastline at Sauðárkrókur my arm turning like scales of Elder Armor. Something is wrong here in my memory castle. Sneaky Billy is sucked into a pinhole sized vortex spinning, orbited by his four lackeys, dead, with pricked, tiny fingers, dullard slack in their jaws. William has stolen their third eyes. He wears them like a heinous crown. They are bleeding. He looks like a twisted Jesus. Young gods, I think, as Sneaky Billy winks away. I wink myself away, out of Ragisland. I’ll deal with this insurrection later.

My eyes adjust. I give my anger to the universe. I’m back in Akbar with Plum-Lipped Alexandra and Naughty Andy Dick.

I walk over to Andy and Alexandra, releasing the last of Smelly Billy, relaxing the last of my anger, releasing all the way past the farthest galaxy on the end of an ever expanding Universe. I reach all the way to Forgiveness, and I take a generous hand full. I plop down on the couch next to Andy Dick.

“Hey bud,” I say, all nonchalant. “We gotta talk about boundaries. You violated my wife’s with you tongue.”

Andy looks confused, a little like how Slick Billy looked when I banished him from the garden. He looks sad, and desperate, and hopeless. He opens his mouth, as if to say something, pauses, re-considers, and finally settles on:

“Well!!!!!! She’s not hereee is she??”

“No, she isn’t. She had to go home, because you ruined her evening.”

Now Andy looks just like Sneaky Bill. He’s even wearing old withered gold and Yale black and blue. There’s an Outer Banks glint in his eye. His grin all North Carolina hickory. “I’m sure I don’t know what you’re talking about!”

“Yes, Andy. Yes you do. Remember when we were here a few days ago, and I told you what a good job you did? How inspiring I thought you were, on News Radio? Well, you ruined that tonight. You made my wife have to drive home feeling violated in what should be a safe space for her. It should be a safe space for all of us. You’re ruining it for her, which means you’re ruining it for me. And this is so hard to say – I wanted to hit you or take you out and fight you, but there’s a 17 year gay boy inside me who sees you and sees Matthew. Sweet Matthew who works at a radio station, and doesn’t quite understand the world. I saw you, Andy, as Matthew. I saw myself inside that, and I had hope. You gave me hope. At least as Matthew, you did.”

(Not the same trusting Matthew who gave himself to the murderers, thinking they were new friends. Not Matthew who was killed for nothing. Not Matthew who was extinguished by the reckless byproduct of toxic hetero-supremacy.)

“But that hope is frayed to say the least. You’re holding on to threads, bud. I wanted to hurt you so badly, but I just can’t Andy. I can’t hit you.

Alexandra intervenes – she knows Andy deserves this, but she has to calm him down. He starts squirming. He looks cornered. Wild eyed. I catch eyes with him, I empathize for a brief moment. His eyes notice this and he instictually reaches out for my crotch.

“Noooo. Don’t do that. I’ll break every one of your fingers if you try that.”

Andy looks to Alexandra, who seems with her face to be saying, hey, take your medicine.

“Listen, you gotta knock this shit off. I know you’re drinking again, and probably using again, and I’m not here to judge that, but what I’d like to say is this – we’d like Andy back. What’s more, the world has changed, and you don’t get to just go around touching everyone because you’re Andy fucking Dick. You were one of my heroes, and that’s the ONLY reason I didn’t knock your block off. But rest assured, if you touch my wife again, you might not even live to regret it.”

Andy looks terrified, but I’m zeroing in, now.

“I know you think the rules don’t apply to you, but you’re dead wrong, and if you keep up like this you will die. My advice is this: ask permission. No means no.”

Andy moves to kiss me, and I grab his face with my right hand.

“No, buddy, I’m not letting you do this. I’m not letting you take away my hero from childhood.”

I’m squeezing his face. His eyes are bugging out.

“I loved you Andy. I loved Roseanne. I lived for you two bright lights.”

There’s a long pause. Andy looks sad.

“I miss you both. You both used to seem to stand for something. But now it seems like one of you stands for ignorance, and the other for abuse.”

Andy opens his mouth, says nothing, closes it.

“Things aren’t great out there in the world, bud. Give us the old Andy back.”

Andy takes my hand. “You’re the brilliant one.”

“You can forgive yourself, but in order to get there, you have to change your behavior.”

“I can. I can change my behavior.”

“You WILL. Because if you touch my wife again, I’ll lay you out on Sunset Blvd in a coma.”

We are laugh, but they both know I’ll do it. A few more pleasantries are exchanged and before leaving, I reiterate that I can see the Old Andy in there, and I need him to be inspiring again. His eyes light up. He looks young again, brimming with potential.

I make my way back to Lammie and Robin, who are still canoodling outside. Lammie asks if I took care of it. Yes, I say. I did. How, he asks?

I say nothing. My eyes are ever so subtly frosting over. My skin is livid, burning with cold. I imagine snow crystals on the side of a glacier in Ragisland. How it looks like the glacier has skin which has turned to tiny diamonds. My organs unclench. My bones stop shifting. I am not a diamond.

As charming, but as firm as possible, I say.

After about ten minutes Andy and Alexandra emerge. They’re catching an Uber somewhere cooler, more expensive, more exclusive, or let’s face it, wherever the drugs are, that’s where they’re going. Andy is wandering, hungry, worse than a ghost. He hugs me goodbye. His hands move from my upper back to my mid back.

“No…. Andy, we just talked about this. You can do it. All you have to do is not be a fucking creep.”

His hands travel to my lower back.

“You’ll feel better about yourself, if you don’t do this. And if you do this, you know I’ll hurt you bad, bud. You just got a warning.”

I can feel his hands wanting to go further like Sneaky Billy’s did, to squeeze and dig around – they linger, indecisive.

“Bud, you’re better than this. I need you to be better than this, just tonight. Just once. Just try once not to ruin everything.”

All at once, his hands are off me. He made the right choice, for now. He whisks away in a small Uber X with his pixie in tow.

Wow, that was Andy Dick, Lammie says to Robin and me. But I’m not there. My eyes have frosted over again.

I’m off in Ragisland, burying a stone statue of an Enchanted Frog. I’m sealing all the portals and gathering my ministers. The country is under siege.

The Roof

Alain’s Modelo spilled

foamy tear ran striated

navy matte roof grit

mystery machine, pop

white tear singularity

froth, trickle,windshield

crack one open –

slip the hood, down

the horizon, fire, illegal

Mexican gunpowder

(dontcha know Chinese invented)

mottled downtown Los Angeles.

Every flash in the pre-night gloaming,

an argument won, twixt

pre-adolescence, fathers all

every minor explosion

a tiny, grateful insurrection.